Tramlines 2018 Review

tramlines 2018 collage

2018 sees Tramlines, Sheffield’s inner-city music festival celebrate it’s 10th birthday. To celebrate the occasion, it moved to Hillsborough Park for what was advertised as ‘Sheffield’s Biggest Ever Party.’ I’d have to agree.

Friday

The one bad thing about Tramlines 2018 was that there were just too many acts I wanted to see! With the likes of The Orielles and Everything Everything playing at the same time I found myself dashing between the stages to catch a bit of everyone.

Kicking things off for me were The Big Moon.

DSCN2193.JPG

Playing a selection of top indie bangers from their Mercury nominated debut album alongside a brill cover of Bonnie Tyler’s Total Eclipse of the Heart, The Big Moon again proved themselves to be a perfect, energetic live band.

A quick run over to the Leadmill stage for Sheffield locals High Hazels next.DSCN2254.JPG

Pulling in a big crowd for that time of day, High Hazels delivered a very pleasant set of their slick, old-school indie.

Another quick dash from Leadmill to Main stage now for the bold Everything Everything.

DSCN2337.JPG

You can always rely on Everything Everything to be a brilliant live act, and during the only rainy spell of the weekend, the lads pulled it off, getting the crowd going with older hits such as ‘Regret’ alongside tracks from their last album ‘A Fever Dream’.

Next up were The Orielles.

DSCN2456

 

Another Yorkshire act, The Orielles played a very tight, energetic show full of tracks from their debut album ‘Silver Dollar Moment’ – if you ever get the chance to catch them live please do as Sid is an amazing drummer.

Friday’s headline act was Stereophonics.

DSCN2559

Kicking things off with their best track in recent years, ‘C’est La Vie’, the Welsh rock legends provided the perfect soundtrack for the Friday sunset, with massive hits like ‘Maybe Tomorrow ‘ and ‘Dakota’ really getting Sheff singing.

Saturday

The second day of Tramlines kicked off earlier, with both music and comedy beginning at around mid day. I saw some great, innovative comedy acts in the Leadmill tent to start my Saturday, including the amazing Foxdog Studios, who got everyone’s phones linked up for an interactive experience, and the hilarious Barbara Nice.

Music-wise, for me first up were Redfaces.

Lighting up the main stage with their fast-paced tunes like ‘Kerosene’ – the Sheffield lads proved they deserved that place on a big stage, and they owned it.

DSCN2791

After that, I nipped over to the Library Stage to catch Self Esteem, the solo project of Rebecca Taylor, formerly of Slow Club.

DSCN2846.JPG

Rebecca and her band put on a great show, with songs such as ‘Your Wife’ being a perfect Saturday afternoon soundtrack, with the weather slowly getting hotter and hotter.

Next up were Sheffield legends Reverend and the Makers, who had the rowdiest crowd of the weekend, and for good reason.

DSCN3030.jpg

From the get go, Jon and Co got the crowd bouncing, and I mean the entire park was shaking, with massive tunes like ‘Heavyweight Champion of the World’ and ‘Bassline’ really kicking things off, with people of all ages going for it.

DSCN2993.JPG

Saturday was a big indie night out, with Blossoms next up on the Main Stage.

DSCN3167.JPG

From their first track, ‘At Most A Kiss’, the Stockport favourites played a blinder of a set filled with crowdpleasers from their first two albums, and the irresistible ‘Charlamagne’ got the crowd nicely warmed up for Saturday’s headliner.

Noel Gallagher’s High Flying Birds were the closing act for the Tramlines 2018 Saturday.

DSCN3257.JPG While I was obviously excited for Noel, he really surpassed my expectations. He was noticeably really enjoying playing in Sheffield, and his enthusiasm quickly rubbed off on Hillsborough Park, with many a mass sing-a-long to be had. Playing a great mixture of solo and Oasis material, the elder Gallagher really shone on Saturday night.

DSCN3263

Sunday

Sunday for me was all about T’Other stage. Opening up the Tramlines Sunday for me were quick rising Sheff band The Seamonsters.

DSCN3315

Pulling a big crowd for the time of day, the Sheff six piece played a great, energetic set that proved to be the perfect start to the day.

DSCN3381.JPG

 

Next up was Nina Nesbitt.

DSCN3435

Playing a selection of her recent singles and older tracks as well as teasing some upcoming new tunes, Nina really impressed me with just how good she was live, witha  great vocal performance and stage prescence.

DSCN3430.JPG

After Nina were Gengahr.

DSCN3626

Beautifully playing tracks from their first two albums, including fan favourites like ‘She’s A Witch’ and recent hit ‘Carrion’, Gengahr played to a pretty much full T’Other Stage tent on the Sunday afternoon.

Following on from Gengahr were Little Comets.

DSCN3715

Little Comets really had Sheffield dancing with their upbeat indie rock, playing a great, tight set despite being down a member.

Next up, Pale Waves.

DSCN3730

Pale Waves are perhaps the buzziest band in the country at the moment, and they played a set that showed just why they have risen up so quickly, with the tent packed out to see the Manchester band play their indie pop to perfection.

DSCN3797

After Pale Waves, it was to the Main Stage for the last time of the weekend for De La Soul.

DSCN3876

One of the liveliest acts of the festival, De La Soul definitely won in terms of crowd participation, really getting the crowd involved in call-and-response games in between their legendary tracks like ‘Me Myself and I’. Another act who genuinely seemed to really enjoy playing to the Sheffield crowd.

DSCN3811

The final act of the weekend for me were Teleman, over on the Library Stage.

DSCN4110

Another of Britain’s Tightest Bands™, Teleman played a brilliant set of tracks from their first two albums, as well as tracks from their upcoming ‘Family of Aliens’ album, with ‘Song for a Seagull’ being a set highlight for me. Closing with the absolute banger that is Dusseldorf, they were the perfect end to a great weekend.


 

Tramlines 2018 was definitely Sheffield’s biggest ever party, and there was a really positive attitude throughout the park all weekend, with literally everybody having a good time. With organisation, food and entertainment that good it’s hard not to.

You could easily tell the amount of effort and love put into the event by Sarah Nulty and her team, and it paid off in a massive way. Roll on 2019.

Check out my full photo gallery from the weekend here!

98%

You can buy tickets for Tramlines 2019 already here. I would if I were you.

Advertisements

Tramlines 2018 – Who to Watch

This year’s Tramlines lineup is the biggest yet, so it might be a bit difficult to pick out who to see. Worry not, I’ve got you covered.

 

Friday

The Big Moon – Main Stage

The Big Moon always put on a good, energy filled show, and with the Mercury Nommed group opening up the main stage this year, there’s no reason to miss them.

Everything Everything – Main Stage

Everything Everything are one of the most experimental, consistent bands around right now, and their live shows are equally amazing. Not to be missed.

The Orielles – Leadmill Live Stage

Having released their brilliant debut album earlier this year, The Orielles are a perfect example of upbeat indie rock.

Saturday

Blossoms – Main Stage

Quickly becoming one of the biggest names in indie music over the last few years, Blossoms will be sure to get the crowd going on Saturday evening.

Noel Gallagher’s High Flying Birds – Main Stage

It’s Noel Gallagher.

Mabel – T’Other Stage

One of the best new names in pop from the last few years, Mabel is bringing her R&B hits to Tramlines on Saturday afternoon.

Sunday

The Seamonsters – T’Other Stage

One of the most exciting young bands in Sheffield at the mo, The Seamonsters open T’Other Stage on Sunday.

Pale Waves – T’Other Stage

One of the fastest rising indie bands at the moment, Pale Waves will bring their slick indie pop to T’Other Stage on Sunday.

De La Soul – Main Stage

Hip-Hop legends De La Soul will take to the stage on Sunday evening and are sure to put on a big, energy filled show.

Teleman – The Library Stage

Consistently brilliant and inventive, Teleman are bringing their synth driven indie sounds to the Library Stage on Sunday night.


Tickets for Tramlines are still available, with more info and the full lineup at http://tramlines.org.uk

New Release Roundup 24th November 17

Noel Gallagher’s High Flying Birds – Who Built The Moon?: The latest album from NG is a big departure from his previous two solo efforts on the surface, but you quickly realise it’s not that out there. Lead single ‘Holy Mountain’ is catchy, but it sounds like a Ricky Martin covering something The Vaccines’ last album. Unfortunately, in my opinion, that is the standout track on the album. It’s A Beautiful World sounds like your standard Noel track but without any of the punchy rock production that made his 1st album so successful. Following that, a long run of forgettable tracks – and that’s it. As you weren’t. 40%

Morrissey – Low in High School: It’s a shame that this album is so poor and obviously fuelled by his personal opinions and general dickery, because his voice is still there and sounds great. No real standout tracks on this album at all, with the lead single ‘Spent The Day In Bed’ becoming more and more irritating every time I hear it. Compared to his briliant ‘World Peace Is None Of Your Business’ album, this is uninspired and drab. 20%

Craig David & Bastille – I Know You: I wasn’t expecting too much from this, but rather than having a big, cheesy arena-sized banger of a chorus, this track opts for a minimal beat drop. It’s alright to be fair. 66%

One Bit & Noah Cyrus –My Way: A great, fun dance track from elecronic duo One Bit, with Noah Cyrus providing a great vocal performance. Wouldn’t mind this becoming a big hit. 70%

The Orielles – Let Your Dogtooth Grow: Another super track from Halifax indie group The Orielles. Very excited for their debut album now. 85%

Dua Lipa x Initial Talk – New Rules 80s Remix: It was a banger to begin with, but this remix has elevated it to pretty much perfect pop. 80%

Rae Morris – Atletico: A really well produced, catchy pop single from Rae with a v good vocal performance. 75%